Sunday, October 20, 2013

Velocity Artist Ashley Gomez

I am honored to be part of the subject matter in Velocity Artist Ashley Gomez (singer/actor/ character) essay for her college level Creative Arts class. - Gregangelo
Photo by Hiromi Yoshida
 
Perspectives Essay
 
Ashley Gomez
Creative Arts 176
March 3, 2013
 
Drawing from my own experiences in working with groups, I would agree with Piers Ibbotson’s statement:
If the right culture were in place, innovation would not be an issue; the function of managers would be like the function of the director of a good ensemble: merely to select from the stream of inventions and suggestions pouring from the group as it engages with the tasks they have at hand (p. 2).
Ibbotson suggests that in order to be a successful manager, it is important to listen to the group and gather different thoughts and ideas to fulfill its purpose.  I’ve worked in many different types of groups, for school projects, work, or organizing events, and in every situation there has always been a goal to be achieved and a leader to help organize the process. Since I have been reading Ibbotson’s, The Illusion of Leadership, I have become more aware of the leadership processes around and what makes them successful or not successful.
Many performing artists strive to make a decent living doing what they love, but they struggle to get a steady income.  Alone, they are unable to create a demand.  Gregangelo Herrera, the artistic director of the arts and entertainment company Velocity Circus has taken an approach, similar to the approach that Ibbotson writes about and that has better enabled a solution to be found for a problem.  I’ve been working with Velocity Circus for close to a year and I have recognized the qualities in the leadership that have driven this company to success.  
            Prior to founding Velocity Circus, Gregangelo performed around the world in Cirque Du Soleil as a Whirling Dervish.  Traditionally, Whirling Dervishes are men who are a part of a mystic brotherhood that spin around in long flowing skirts to represent the spinning of the cosmos.  Gregangelo took from this philosophy and started to think about how the motion of spinning is a part of everything that makes up the universe from the atoms to the way we live. He then began to think about this in terms of the art world.  From his perspective, artists today are consumed with achieving fame and fortune, obsessing with beauty and stardom, while battling one another for a spot at the top.  This is the exact never-ending unobtainable journey that is stripping away from their very soul, which is why artists should take a step back, look past these tropes, see that the universe is still spiraling around them, and realize that the true wealth is inside them.  They should come together and collaborate as a group and become stronger rather than competing against each other in an endless battle. Gregangelo and a team of other artists used this philosophy to create Velocity Circus. 

            Instead of battling one another for a spot on the top, these artists come together to create something innovative and unique.  Building from the ground up, they started to design characters, sets, and gathered performers of all types. They collaborated to achieve the fantasies of their customers. When a challenging project came up, the artists found a way to bring it to life. This is exactly the type of leadership that Ibbotson writes about that drives a group to success.  Ever since I have been working with this company, I have been able to see a difference in myself as an artist.  I’m encouraged to come up with ideas and get my creative juices flowing.  Being in this type of environment motivates me to perform well and think outside the box.  If we succeed as a group, we succeed as a whole, which fulfills my artistic individuality as well. I believe I am an important asset in contributing, and since I feel that my input and ideas are valued, I give more of myself.  
Photo by Hiromi Yoshida

Gregangelo takes what the group has to offer and morphs it into a masterpiece. Because of this successful leadership, Velocity Circus has not only created a steady working environment to artists, but it has become a hot commodity that is in demand.  Museums and corporations seek Velocity Circus to bring even their own wildest ideas and fantasies to life. This encourages involvement from the client as well.  Gregangelo calls his team “Mission Impossible” because there is no project too difficult for the hundreds of artists who make up Velocity Circus.  Together, anything can happen.
Gregangelo’s philosophy has created the “right culture,” therefore allowing innovation to take place. His function as a leader has allowed several artists to come together and work as a team to build their ideas into elaborate works of art for others to enjoy. A good leader takes part in the group and listens to ideas. They admit mistakes and recognize efforts. Ibbotson’s statement hits it right on the nose. If you understand what it takes to be a leader, you’ll fulfill the team, which fulfills the client, which fulfills the goal, which fulfills the company.  This concept is the backbone of success.

Works Cited

Hererra, Gregangelo. “TEDxYouth at Castilleja - Gregangelo.” YouTube. 12 Dec. 2011. YouTube. 20 Sept. 2013 <http://www.youtube.com/watch?v=737HdHJYzOQ>.

Ibbotson, Piers. The Illusion of Leadership: Directing Creativity in Business and the Arts. Houndmills, Basingstoke, Hampshire England: Palgrave Macmillan, 2008. 2. Print.

Monday, September 16, 2013

Language Revelation




Olivia Gryphon, an accomplished artist who runs several of her own businesses, took the time this week to fill in here and help run Velocity Circus.

I went through a list of work tasks for the day, which I don't exactly recall but something to the extent of :"Be sure to leave space for the albino monkey's wings", "Order a hydraulic lift so we can make her appear to melt", "Don't forget to clean the snow machines", " Be sure her headdress is not a hazard when he throws the knives at her" ; to which she calmly and rationally replied, "No Problem" and proceeded to do the work.


In that brief moment of an assuring and able reply, I realized that I normally cringe at the utterance of either word: "The problem is...", "No, that's OK" (WHICH IS ITNo or OK? and always spoken in the condescending tone one speaks to a pet), and so many more lazy, inept, and obstructive uses of the two words.

But sequence No+ Problem together and it is a sweet concerto spoken by a composer of the highest competence.

I suppose this was just a flash of realization that ALL of the artists around here are indeed maestros...

"Superimpose the Neptunian's over the Andromeda Galaxy..."The beluga whale should have the expression of a drag-queen"... " Buy forty yards of black and white polka dot fabric for the quick change"..."Can you re-write the song to include a baby who turns into a dog?"... Try to spin suspended from your teeth for just 8 counts longer"...

مافيش مشكلة (mafiiš moškila) No problem

All in a days work...

Monday, September 2, 2013

GREG'S WORLD by Rita Abrams




   
Welcome to the world of the wildest guy I know
He moves with high Velocity--he's called Gregangelo
His life is one big circus and his passion is intense
He was born a whirling dervish and been whirling ever since
There's no way to describe it, so I'll have to simply say
HAPPY BIRTHDAY ~ HAPPY BIRTHDAY!

Civilizations on the ceiling, hieroglyphics on the walls
There's a mummy in the living room, and phantoms haunt the halls
In the basement they're concocting creatures made of glitter glue
In the kitchen a contortionist is stirring up a stew 
There's no way to describe it, so I have to simply say
HAPPY BIRTHDAY ~ HAPPY BIRTHDAY!

If you think you've got the gist of it--you still have no idea
How shall I put it? The bathroom almost makes it fun to have diarrhea
& Upstairs, you can sleep in a pyramid while attending an all-night black light show
Just a few o' the perks o' the lucky ones, in the Orbit of Gregangelo

TAG:
He's One-of-a-kind, and kind of a Wonder
He'll retool your brain chemistry
He's an alien being brought down to earth
To set all our fantasies free
But with all o' that said, I still can't begin to describe him, so I give up!
All I can say is...
HAPPY BIRTHDAY ~ HAPPY BIRTHDAY!!
HAPPY BIRTHDAY, GREGANGELO !!!!Í

Written by Rita Abrams August 2013

Thursday, August 8, 2013

Proverb in Mosaic



Photo by Hiromi Yoshida


This mosaic pathway into "Circus- headquarters" , designed by Gregangelo's niece Shiva Bayat, phonetically spells out in  Arabic calligraphy : Unther Hawlek, which translates as 'Look Around You".
In this digital age, our vision has become vast, yet myopic and and a fascinating new consciousness is being created. Though as amazing as these evolving digital devices and consciousness are, the simple process of looking around oneself through our own eyes, intricate senses and intuition are often compromised.
Look Around You.


Artistic Director
Velocity Arts & Entertainment
Velocity Circus
San Francisco
415 664-0095

Wednesday, July 17, 2013

We hire Artists, not Acts

"We hire Artists, not Acts"
-Gregangelo, Velocity Circus

 Cast of Gregangelo & Velocity Circus' "Age of Asparagus" Show
Photo credit -Hiromi Yoshida

 
 
 

Tuesday, July 9, 2013

Gregangelo Interview for The Muse Studio




Restraint and Revolution Artist Bio themusestudio@gmail.com

Whirling dervish, artist, artistic director Gregangelo Herrera is a native San Franciscan of Lebanese Mexican descent, born to working class parents in the urban wilderness of the city on the great Pacific. Since the age of fifteen, he has developed his signature version of the enigmatic dervish ritual tailored for a secular audience. All of the mysticism, knowledge, and wonder of the ancient ritual are encrypted into his contemporary show stopping version.

The performance contemplates humanity and our place in the universe.
All elements from micro to macro are whirling, from spinning subatomic particles which make up the revolving cells and atoms of all matter, to the wonder of a human’s circulatory system, to the rotating of the planets and stars, to the infinite orbiting solar systems, to the majesty of spiraling galaxies to the eternal realm of a recycling universe…This is the story of the whirling dervish.

Gregangelo has a natural talent in sharing: whether it be entertainment, experiencing his multi sensory installations, or as an artistic director of a circus helping hundreds of artists in his community to find viable work and opportunities to do what they love for a living, he completes a cycle of contribution back to the community.

Gregangelo, like all genuine artists intuitively falls through the bureaucratic cracks of the system by creating works that are not easily governed.

At one point I ask Gregangelo about his awesomeness, he looks into the deliciously tiled mosaic walls and floor bewildered, polka-dots are sprouting with color and imagination from every corner of the room, his eyes search for an answer beyond the simple magnificence in every inch of the house he’s worked on since he was seventeen, as if all the decor is transparent and the inner workings of the cosmos, one living breathing entity thrives somewhere in the thick of the room’s plastic bubble shaped contours. Finally he comes up with an answer, “Talk about my awesomeness?... That’s ridiculous.”

On sex: “No one sees a whirling dervish and thinks sex. Being a whirling dervish isn’t exactly a chick or dude magnet. Personal carnal experiences have been sacred, yet scarce, as explosive as a super nova, as profound as the contemplation of the meaning of the universe, but as short lived as the life of a gnat. It’s almost disturbing,” he admits, “like a surge of electricity.”
Gregangelo tends to be aroused from the heart by more earnest games- such as­ the process of creating art and shows with diverse casts of artists, connecting with audiences one person at a time- like provoking guests who have been married happily for years to insightfully compliment one another (often against their will), “that is what really excites me.”   

On environment: Gregangelo’s beliefs are painted in gold, emerald, and azure blue; his beliefs are strung together in beaded oceans and starry eclipses, “I believe everybody and everything are all part of one living organism, from every living creature to every speck of dust in the universe.” He is aware of the blunt contradictions in his artwork, “I’m creating work on the environment with plastic shit.” Gregangelo intends to make harsh messages with intoxicatingly beautiful designs and arrangements; which are indeed toxic. Most visitors don’t even contemplate what is in front of them, therefore they become part of the message, their naivety is the glue piecing together fake mother nature, and in a sense eroding their connection to the natural world. 

On Politics: “I don’t like politicians; however t­­­he optimist in me hopes that someday a politician will prove their self to be a benevolent leader.” Gregangelo once roller skated past a polished white toothed, designer suit clad politician distributing pamphlets to a non caring public. Just behind the oblivious politician were two homeless men publicly masturbating. Gregangelo rolled by him, exclaiming “you just lost my vote; you don’t even see where you are in the moment.” Politicians barely come out from behind their security while campaigning; they can’t make a serious impact on a world they are unable to materialize correctly. Artists do that.

“Live Healthy, Eat Honestly! (Reverse that) ”—Gregangelo

Commentary - Zola Hjelm, poet/writer
San Francisco Ruth Asawa School of the Arts